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Drawing on experimental recording techniques using non-traditional microphones, Inshishnu creates pulsing, crackling, washed out soundscapes punctuated by tentative nostalgia fueled notes.
Like a fusing of Burial, Vangelis, Jon Hopkins and Fennesz, Inshishnu is a slow meditation on the future, the past, and an auralization of what streets would look like in 50 years at night after rain.
